Events
Promotions
Arrival Schedule (KOTOBUKIYA SHOP)
Company Information

ONLINE
SHOP

Categories
Figures

Female Character Figures

Anime Figures

Game Figures

Movie / Comic Book Figures & Statues

Male Character Figures

Other Character Figures

Action Figures

Model Kits

Female Character Model Kits

Character Model Kits

Mecha Model Kits

Modeling Support Goods / Optional Parts

Model Kit Tools

Other Model Kits

Character Goods

Rubber Strap

Button Pins

Plastic Folder

Fashion Accessories

Plushies

Chopstick

Other Goods

KOTOBUKIYA Series

FRAME ARMS

FRAME ARMS GIRL

MEGAMI DEVICE

MEGALOMARIA

SOUSAISHOJOTEIEN

ARCANADEA

HEXA GEAR

M.S.G Modeling Support Goods

TOKYO Mark

ARTIST SUPPORT ITEM

Third-Party Products
Series
All Series
Blogs & Social Media
Latest Blog Posts

All Blog Posts

KIKAKUGAI Blog

M3GAN—the AI Doll—Joins the HORROR BISHOUJO Series!

"She’s more than just a toy... She's part of the family." From the sci-fi psychological thriller M3GAN, which follows the love and eventual rampage of the tiny and adorable AI doll, M3GAN, comes a new figure based on an illustration by Shunya Yamashita. This figure brings M3GAN to Kotobukiya's HORROR BISHOUJO series! M3GAN is a 2023 American film centered on M3GAN (Model 3 Generative ANdroid), a prototype fully autonomous consumer humanoid robot created by Gemma, a researcher at the toy company Funki. Designed to look like a young girl, M3GAN is equipped with AI that has the ability to constantly learn and evolve on its own. While spending time with a girl named Cady, she forms a deep bond. But M3GAN's overwhelming devotion gradually turns into madness and leads to terrifying consequences. Her innocent look contrasts with her blank android gaze, unsettling movements, and viral dance scene, elements that helped the film break past the usual psycho-thriller mold. And the figure we're highlighting today is, of course, not from Funki, but from Kotobukiya! The HORROR BISHOUJO series has transformed countless movie monsters and characters into beautiful figures, but since M3GAN was already designed as a cute doll to begin with, this BISHOUJO adaptation takes her cuteness to explosive new levels. Let's take a closer look at her charm. "It's really fun." Her head sculpt faithfully captures M3GAN's design—graceful, but with a subtle, inhuman chill. Her doll-like, glassy yet refined face is perfectly balanced with a faint archaic smile. And her eyes give away nothing. She may not have the titanium endoskeleton or the A17 bionic fusion chip that powers her thinking in the film, but the unique Shunya Yamashita styling more than makes up for it. The figure's concept is based on the memorable final scene where M3GAN reveals what she truly is. 1/7 scale. This figure stands at approximately 210mm tall (including the base) with an aptly petite frame. Her white dress is simple but sculpted with a soft, airy flow that highlights her innocence and elegance. The large ribbon on her chest and striped inner top give her a pure, distinctly childlike look. White tights, which also add to her childlike appearance, trace the natural line of her legs, complete with subtle fabric wrinkles at the knees. Paired with classic strap shoes, the sculpt presents the unmistakably pure presence of a young girl. ...And yet, in those innocent hands, she grips the large blade of a paper cutter. That contrast is quintessential to the character of M3GAN. M3GAN walks quietly down the halls of Funki. The contrast between her still expression and the movement of her swaying clothes and softly waving blond hair creates a blend of near-ethereal beauty and subtle eeriness. Who might M3GAN come after next? ...You? The base is modeled after Funki's red hallways, complete with a raised movie logo. It perfectly captures the world of the film. "Well, hold on a second, I thought we were having a conversation." There's still something important left to show. Take a look at the horror-themed alternate expression part, available exclusively through the Kotobukiya Shop. The skin on her forehead is split open, exposing a titanium inner frame, clearly something not human. Her widened, intense eyes convey her very first moment of "rage." This is M3GAN in her fully awakened form. Balancing cuteness and terror, M3GAN stands as a new icon in modern horror cinema. This BISHOUJO interpretation reimagines that impact with bold creativity. And given that the real M3GAN is said to cost around $10,000, this figure is a far more accessible way to bring her home. Become M3GAN's primary user through the HORROR BISHOUJO series! The undying M3GAN just might decide to be your protector—with you placed above everything else. Product Name M3GAN BISHOUJO STATUE SRP $169.99 Release Date Summer 2026 Manufacturer Pre-order Deadline January 20, 2026 Product Page https://www.kotobukiya.co.jp/en/product/detail/p4934054062904/ ▼Pre-order from KOTOBUKIYA US ONLINE▼ https://kotobukiya-us.com/products/190526059849 ◆ More Info Kotobukiya BISHOUJO Series Official Site https://bishoujoseries.com/ © Universal City Studios LLC. All Rights Reserved.

2025.11.11

KOTOBUKIYA Figure Blog

【Sculptor's Interview】 ARTFX J Millions Knives TRIGUN STAMPEDE Ver.

Introduction Staff M: Mr. Hattori, thank you for joining us today. I just recently learned that a Millions Knives figure was being made. As a fan, what I always felt about TRIGUN STAMPEDE is that at its core, it’s a story about brothers. At the center are Knives and Vash, with the story unfolding around their past, what they want to protect, and the friends they make. Knives ends up being a powerful enemy, but he’s also the protagonist’s brother. He’s a very complex character and, for me personally, one who really lingers in the heart. His tragic story almost brings you to tears. Hattori: Oh, wow. It makes you tear up? That’s such a unique way of putting it! Staff M: So, the Kotobukiya TRIGUN STAMPEDE figure series has already reached its fourth release, but I don’t think it would have been complete as a full collection without Knives. How about you? Hattori: Yeah...but before we get into that, I want to talk about you, Staff M. You’ve appeared in the previous interview too, and a lot of readers said they couldn’t stop wondering about you. I thought it might be good if you explained a little more about who you are, lol. Staff M: Me?! lol Hattori: People have been wondering if you worked on Trigun, if you’re a sculptor, or maybe you’re someone from an overseas media outlet. Staff M: Yes. So, I belong to Kotobukiya’s licensing team. I handle such things as communications with the licensors, including our company’s Trigun projects. Of course, I’m also an OG Trigun fan, too. The reason this interview series began was because, when I first saw the Stampede Vash figure, I immediately felt this immense aura emanating from its face. I realized that a sculptor’s job isn’t just to take the character design sheet and faithfully recreate the same face. That Vash figure made me realize that there’s something deeper, that sculptors must use new and old skills and techniques they’ve built up over the years to capture the complexities of the character. That was the inspiration for this interview series. Hattori: Interesting! Staff M: Sculptors like yourself are able to express so much in the face, like Vash’s complex feelings and emotional scars. I wonder, how do you all do that? I’m always saying to myself, sculptors really are artists. So that’s why I’m here interviewing you. Hattori: So Staff M, you’re a Trigun fan and you also work on the Kotobukiya Trigun projects. Staff M: I’m really interested in the work of sculptors. But I’m not a sculptor myself. Hattori: Ah, I see, I see, lol. Staff M: Having an in-house sculpting team is rare, right? It’s one of the things that makes Kotobukiya so unique. Hattori: Yeah, for a manufacturer to have its own sculptors, and a whole team at that, that’s pretty uncommon. Staff M: Not every company has that. Here, we can actually plan products together with the sculptors. Since it’s such an important part of the process, I’ll always randomly invite them over to have a chat. That’s the kind of person I am. Hattori: Good, I think I finally understand you a little more now. Staff M: There was also pressure from within the company. Like, “Staff M, give them a better explanation of who you are.” Hattori: I get it, people were also telling me “We can’t concentrate on what you're saying.” Everyone was too interested in Staff M, like, who’s this guy? Staff M: I’m also involved in product promotion and stuff too, you know! Main Interview Topic 1. Recreating Knives as a Figure Hattori: So, the Knives figure! As far as I know, there’s never been a full-scale figure of Knives. Not anywhere in the world. Or at least one that’s been commercially available. So, right off the bat, that right there is a huge pressure. Staff M: Yeah, we at least know for sure that this will be the first Kotobukiya Millions Knives figure. We did make Vash and Wolfwood for the Trigun: Badlands Rumble movie series, but Knives is completely new, right? The sculpt has already started a little, right? Hattori: Actually, yes. At the time of this interview, we’ve already begun a little. Staff M: So, you're really feeling the pressure then, huh? Hattori: Yes! It’s fun, but bringing a character into 3D and being responsible for its figure debut comes with a lot of pressure. As a sculptor, you need people to actually see the piece before anything can really be said. But as of now, there’s nothing to show. Staff M: Yeah. We are doing this under special circumstances after all. Usually, we talk after the painted master is finished. But this time, we’re doing this at the very beginning. What are you thinking and feeling at the moment? Hattori: When we do these interviews when the figure is already finished, honestly, I’m pretty relaxed, lol. When it’s finished, I can talk about everything. Like, “So, this part was made this way.” But since we don’t have anything, I honestly don’t even know how things will turn out. Staff M: I’d love to share your thoughts and feelings at this stage of the process with our readers. Hattori: I’m panicking lol. Staff M: I can’t blame you! Hattori: Also, you know how Kotobukiya does those year-end surveys asking what fans want made into products? Knives got a huge number of votes last year. That greatly influenced making this figure happen. We got the message loud and clear, no mistake. Staff M: See! It’s not just me, everyone’s excited! For me, Knives was a character who really left a deep impression on me, so I’ve always wanted a figure of him. It makes me very happy to know that everyone else wanted one too. Topic 2. Knives Staff M: So, while it’s a bit scary with the pressure, do you also have things you’re excited about as a sculptor? Like designs or new techniques you want to try, or things you want to do differently. Hattori: Yes! After all, if people just look and think, “Oh yeah, I’ve seen this before,” then there’s no point in making it, right? If it doesn’t feel very new, then it’s not interesting, so I always make sure to include something I’ve never done before. Knives’ pose and composition have already been decided, but figuring out how to bring that into the figure will involve a lot of fresh challenges. Staff M: Right, Knives’ knives themselves have an incredibly complex mechanic. I saw the detailed design sheets at the Trigun Exhibition and thought making them would be really tough. Recreating the knives seems like it will definitely be a challenge. Hattori: I mean, his name is “Millions” Knives, right? So, how do you show such a massive number of knives in a figure? It’s not like you can just cram in thousands or tens of thousands of them. The question is, how do you make it look good as a display piece, something pleasing to look at? Staff M, do you get where I’m coming from? Staff M: After all, even a single knife feels like it has a million details. Each and every one. Hattori: And then on top of that, there’s an insane number of them. It’s crazy, haha. Staff M: Not only beautifully recreating them in figure form, but also working out how to incorporate them into the pose, that will be really tough, right? Hattori: Making the knives themselves will be manageable, but then how do I show the sense of motion? That’s what’s stumping me. Staff M: Yeah, with Nicholas, you expressed motion by making it appear like there was wind blowing from below. Hattori: Yeah. Back then I even said I wanted people to “feel the sound” of it. But with knives, what kind of movement do they have, what kind of sound do they make? Knives are kind of scary, you know? Staff M: Yeah, words like “beautiful” don't really go together with knives. Topic 3. Contrast Between Brothers Hattori: Also, in the anime, Knives first appears as an eerie, non-human figure. He’s got an inhuman feel to him. I want to capture that eeriness too. Staff M: Right! That’s an important part of Knives too. But while he’s this eerie figure, he also still loves Vash. Hattori: He loves him way too much. Staff M: What resonated with me in the anime is how clearly Knives’ pure heart is portrayed. Even though he’s fighting so fiercely, in the end, he’s still Vash’s brother. He wants to protect Vash, and he loves him dearly. That’s made crystal clear. And honestly, what I’m looking forward to is how that feeling will be incorporated into the figure. Hattori: I’ve been thinking about that a lot too. When deciding the pose and composition, I wanted to make sure to include the “twin brothers” element, that contrast between the older and younger one. But in truth, they both share the same feelings, right? Like, they're two sides of the same coin. I feel like that’s kind of the underlying concept of their relationship. But then, how do you express that in a figure? What Knives is trying to protect, and what Vash is trying to protect. Staff M: I can’t wait to see! Hattori: Vash’s figure has already been released, so you already know, but behind him we included the townscape of Jeneora Rock. That town was meant as a symbol of Vash’s desire to protect people. So then what about Knives? That’s kind of the million-dollar question, haha. Staff M: The bases have always been quite distinctive. So I’m very curious what will be included in this one. I bet it’s already been decided, hasn’t it? Hattori: Yes, it’s been decided. It hasn’t been made yet, but we know what the concept will be. Actually, I consulted with you back when we were deciding on the concept. I asked what you think we should do. So, in a way, you’ve been pretty deeply involved in this Knives figure since the planning stage. Staff M: I remember answering honestly, too. There was something I thought only I liked, but then you said you liked it too, and I was surprised. Hattori: Yeah. We liked the exact same thing. Staff M: It was the robe! I thought I was in the minority for liking it. I remember, I even said it quietly, “I like his robe.” Hattori: I might be giving too much away, but I think the robe is part of what gives him that ominous, uncanny feeling. If you saw him creeping towards you with it on, it’d be terrifying! Staff M: It’s kind of mysterious, right? Hattori: Exactly. And from a figure perspective, it makes it easier to create that uncanny, mysterious feeling, too. Staff M: This is something I’d like to ask Orange (creators of the second Trigun anime series) about, but that robe has a hood, right? Another person also has a hood. It’s Vash, right? Hattori: Yes! Staff M: They’re two halves of one whole. Hattori: Yeah, definitely. They embody this idea of contrasting brothers. Since the original series didn’t have that robe or hood, I feel like Orange’s anime emphasized their relationship even more by adding that hooded robe. Or that’s my fan theory at least, haha. Staff M: That robe is so unique, it almost makes him look alien. But it suits him perfectly. Isn’t it really hard to turn that kind of design into a figure? Hattori: It is! Staff M: I’m sure it’s tough. Sorry, I’m just saying whatever comes to mind, haha. Another part of the character of Knives is the skin, right? It’s incredibly detailed, so I’m really interested to see what you do. Hattori: You’re talking about the jagged Plant pattern that shows up on his skin, right? They’re incredibly prominent on Knives, but they only appear occasionally on Vash. It’s definitely an aspect of his character that we have to include in this figure. Staff M: Actually, I really pushed for that. At the concept stage, I said, “You absolutely have to include this.” It’s such an awesome part of his design. Hattori: There’s no way we could do this figure without it, but the issue is figuring out how to show it! Staff M: It’s easy for me to say that something should be included, but for you, as the actual artist, you have to figure out how to balance it with the rest of the figure, right? Hattori: Yeah, I’m trembling at the thought of even approaching it! Staff M: The combination of the hood, the robe, and the skin is incredibly striking. It’s one of the things I’m most excited about. Sorry, me saying that just adds to the pressure, doesn’t it? Topic 4. Challenges Creating the Figure Staff M: Out of the elements of the figure, are there any you think will be particularly hard to tackle? Any you wonder, “Can we even do this?” Hattori: With Knives, honestly, almost everything. It’s all difficult! Creating the character itself isn’t the problem, but all the details, like the knives, the Plant patterns, the base, everything has some new element we’ve never done. It’s completely different from Vash or Wolfwood. The only thing I can breathe a little easier about is the hexagonal base. That part is fixed and the same. But what goes on top of it, that’s going to be tough. Staff M: You’ve been thinking about a lot of stuff such as the Plants, right? Hattori: Yes, we have. We obviously want it to look good on display, so a lot is still up in the air, haha. Staff M: I hope everyone’s looking forward to it! Thank you. In Closing Staff M: Among all the characters in Stampede, Knives definitely has the most complexity in his thoughts and motivations. I’m really looking forward to seeing how that gets expressed in the figure’s face, eyes, and overall vibe. Hattori: You mentioned the eyes, that’s also another contrast with Vash. Like, “Since Vash’s figure looks like this , then we’ve got to make Knives look like that .” Staff M: Right, Knives’ figure exists because there’s already a Vash the Stampede figure! It’s not just a standalone figure but part of a larger Kotobukiya series. Hattori: Exactly! It’s a whole series. But when I was working on Vash, nothing had been decided yet about Wolfwood or Knives. And I know you know that, Staff M. It was just a standalone Vash project. Then it was like, “What’s next?” and Wolfwood got the green light. But even then, Knives hadn't been decided at that time. Staff M: I only found out about the Knives figure very recently. Hattori: Exactly! But in the end, when you line them up as a series, it looks like there was a big overarching concept behind it all. Staff M: Yes, that’s really important. That sense of unity, the consistent design language. Beloved works always have those intentional commonalities between characters and designs. It’s super satisfying as a customer when a series has that unity. Hattori: One other piece of good luck is that I’ve been able to sculpt all of them myself. The schedules lined up perfectly. If they hadn’t, another sculptor might have been assigned. But thankfully, I got to do them, and that’s why I’m able to give them that sense of unity. Staff M: And the project leads understand that too. They know how important it is for you to be the one making them. Hattori: They’ve stayed consistent about that. Staff M: I can’t wait to see the figure! We’re doing this interview on June 4, 2025, but it won’t be coming out for some time. Once the painted master is finished, I’d like to sit down for another interview. Thank you so much for your time today! Hattori: Thank you! Check out the sculpt of Knives here! X https://x.com/Kotobukiya_EN/status/1984693680620687548 Instagram https://www.instagram.com/p/DQhkIMtE2Nk/ Facebook http://facebook.com/kotobukiyaofficial/posts/pfbid0ZJd2bvwjgHHSfASHEznokWrraEUrp5K39TBda7uQsuFt7LBv8AVkxNaC7ymLZAyEl © 2026 Yasuhiro Nightow, SHONENGAHOSHA / TRIGUN STARGAZE Project

2025.10.24

KOTOBUKIYA Figure Blog

【Sculptor Interview】 ARTFX J Vash the Stampede -The Gunman in Black- TRIGUN STAMPEDE Ver.

I. Introduction Question 1 Interviewer: Mr. Hattori, thank you for joining us today. He has been behind many of the Trigun figure sculpts for Kotobukiya, including Vash and Nicholas from the movie TRIGUN Badlands Rumble, as well as the 2023 ARTFX J Vash the Stampede TRIGUN STAMPEDE Ver. He is also the sculptor for the new ARTFX J Vash the Stampede -The Gunman in Black- TRIGUN STAMPEDE Ver. figure. Trigun has been part of your work for many years now. Can you tell us a little about your first encounter with this series? Mr. Hattori: I first encountered the Trigun series right as I was trying to get into sculpting and was studying all different kinds of figures. I think it was around 2003. The first thing “Trigun” I ever came across, even before seeing the manga or anime, was actually a figure. At the time, Kaiyodo was selling these really cool statues, action figures and busts. Japan wasn't really into cool-looking figures yet, and it was the peak of cute anime girl PVC figures. While there was a figure craze, the only actually "cool" figures were from Trigun. I picked up the figure and immediately started reading the manga. Then I found out there was also an anime! You can’t imagine how excited I was!!! So, of course, I watched the anime too, and that's pretty much how I got into Trigun. Interviewer: That's really interesting. The desire to recapture that coolness into a figure must have really motivated you. It's also interesting to hear that there was a time when "cool” figures weren't really a thing. Mr. Hattori: Yeah. Kaiyodo's figures were high quality and all around just great. Their figures brought out a creative urge in me. Question 2 Interviewer: Thank you. Thinking back, what do you think is your favorite thing about the whole Trigun series? Mr. Hattori: I think it was probably the line work of Yasuhiro Nightow's art. And the cool character designs too. You know what, just everything about Yasuhiro Nightow's art. He seriously made every single line look so cool. Even the way he draws sharp, thin spiky hair, every line he draws looks so cool. I was so in love with the art style that I had this burning desire to create a figure of it. Interviewer: It sounds like a pretty pivotal series in your career then. I remember thinking Trigun was super cool when I first saw it, too. Before I got into it, I thought it was just an action series and some of the characters seem strong and what not. But when you actually watch it, you realize that the story is way deeper than that. That multilayered aspect was what really drew me into it. Ⅱ. About the Figure Question 1 Interviewer: TRIGUN STAMPEDE and its protagonist Vash are probably known around the world for its action and fight scenes. But in addition to being a cool-looking gunman, Vash is also a very troubled character. As the story plays out over the course of the anime, we get to see little bits of that side of him. In anime, there are countless ways that you can express characters' emotions and troubled feelings, but what about in figures? I think action may be a relatively easy concept to capture, but I can imagine other emotions would be quite hard. What do you think? Mr. Hattori: The most expressive part of a figure is always the face. It's also the easiest part for the viewer to understand the emotions of the character. But as a sculptor, there are numerous other parts that we pay attention to, as well. The hands, for example. Or how a coat flows. We can add curves, change how the fingers bend or make one leg look like it has more weight on it. These small tweaks make all the difference to express hidden emotions in the character or situation. Interviewer: That’s where the aura comes from. Mr. Hattori: Yeah. It's all about how the viewer interprets the figure. Because, while I may have intended it to feel one way, that may not be how you see it. At the end of the day, there is no better feeling than having someone buy the figure and go, "What is this?! This is amazing!" Interviewer: I think you tapped into something really important there. I had that same kind of reaction when I bought this ARTFX J Vash the Stampede TRIGUN STAMPEDE Ver. figure as well. You could feel his strength and conflicted emotions from not only his face but the whole figure. Was that intentional? Mr. Hattori: Of course! It always is. I'm always thinking about how to include emotion. And that applies to any and every character. It's our mission as sculptors to have the viewer pick up on the intended emotion or feel of the figure. Interviewer: Even now, I still get that feeling every time I look at this figure. Mr. Hattori: It's best when you're able to make something that has that lasting aura. Interviewer: I'm glad to hear that. This figure really does have an incredible aura. I keep it on my desk to look at every day. Thank you. Question 2 Interviewer: We touched on it a little already, but I'd like to ask you about the sculpting process. I always kind of assumed sculpts were made pretty much exclusively on the computer, but one day when I came to your desk, I saw a 1:1 replica of Vash's revolver from TRIGUN STAMPEDE. I was like, “What is this?!” Did that replica have something to do with the sculpt? Mr. Hattori: Yep, I made a 1:1 replica of his gun. Or rather, I enlarged the 1:8 scale sculpt I'd already made. It feels way more impressive in 1:1 scale, right? I'd never done anything like that before. But I thought, if I'm going to do it, I have to do it with Trigun. With the replica, I could actually feel its weight and see just how big it would be in real life. I was also able to see exactly how it feels to hold and what muscles you need to use to support it. It was great reference for the sculpt. Interviewer: I always liked how he held the gun. Was the figure’s pose a result of the replica, then? Mr. Hattori: It definitely played a big role. That's why there's a slight bend in the wrist. Making the gun look like it has some weight to it makes the whole figure look more realistic. Holding the replica made me realize points like how the heavy tip makes the gun fall forward and how the wrist tenses. Interviewer: So, your real experience with the replica is reflected in the sculpt? Mr. Hattori: Yeah. But we can't afford to make replicas like that for every figure. As for where that replica ended up, we handed it over to Studio Orange, the TRIGUN STAMPEDE anime studio. There's a Trigun exhibit in Ikebukuro opening in March, and I heard that it may go on display. It's not final though, so don't blame me if it's not there! *This became true! The replica is now on display!! Interviewer: Were you asked to make the replica, by the way? Mr. Hattori: Not at all. It was just an idea of mine. I was incredibly lucky to get the chance to have dinner with Studio Orange producers Yoshihiro Watanabe and Kiyotaka Waki, and director Kenji Muto. I sort of shyly said, "I actually made this, too" and showed them the gun. I gave it to them there. Interviewer: What an amazing behind-the-scenes episode. The replica certainly sounds like it played an important role for this figure. I'd love to go see the exhibit, as well. Thanks for telling us all of that. I was super curious about the replica and really wanted to ask. Mr. Hattori: I hope it'll be at the exhibit! Question 3 Interviewer: Now, with this new ARTFX J Vash the Stampede -The Gunman in Black- TRIGUN STAMPEDE Ver. figure, which parts of Vash's personality and parts of the TRIGUN STAMPEDE anime did you want to include? Mr. Hattori: This version of Vash appears in the final episode of TRIGUN STAMPEDE. Those who have seen the anime know that in this episode he's cooler than cool. SUPER COOL! Since we made Vash in his regular red coat, I knew we absolutely had to make this version, as well. I really REALLY wanted to make it. It all started with the simple desire to make a figure of Vash from the last episode. Interviewer: I think everyone who sees the episode would want a figure of him, too. It must have been a lot of work. Mr. Hattori: I think they'd want one, too. Interviewer: Did you take the facial expression straight from the anime for the standard version of this figure? Mr. Hattori: Yeah. One of my favorite parts about making this figure was capturing his unforgettable expression from the anime. I based it on the cool expression with his teeth clenched when he was fighting Knives. Interviewer: His expression really says a million words. He usually doesn't want to fight, but he knows that at this moment he has to. I thought there might have been a reason you chose this expression, so I wanted to know. Thanks for telling us all of that. Question 4 Interviewer: When I first saw the figure (ARTFX J Vash the Stampede -The Gunman in Black- TRIGUN STAMPEDE Ver.), it felt like a totally new figure. Not just a color variant. I think that might be because bits and pieces of it are new. Like, at first, I thought the pose was the same, but if you look closely, it's slightly different, right? Luckily, we were able to secure a sample for today, and I would love it if we could hear which parts are new from the sculptor himself. Can you show us what's new here? Mr. Hattori: Sure. The most obvious part is probably the hair. He's in the middle of a fight, so it's being pushed back by the tension in the air. Plus, this spiked-up hairstyle is similar to the original Vash we all know and love. I wanted to include that but needed to figure out how to make it look cool. Interviewer: I was blown away by how different it could look just by sweeping back his hair. Mr. Hattori: It's interesting, right? I made it and even I don't fully understand it. All I did was change his hairstyle but the sculpt came out totally different. It changed not only how the figure looks but also the emotion you can feel from it. Interviewer: It’s hard to describe in words. The figure gives off a totally different mood. Mr. Hattori: This kind of goes back to talking about auras, but this version has a much stronger aura. Interviewer: Right! Also, speaking of his hair, the new color is also quite striking. Can you tell us a little about this? Mr. Hattori: We outsource the coloring, so I don't paint the figures myself, but when we sent the request, we’d already decided to go with a metallic color. Plus, since this version of Vash is in a unique situation in the anime, I wanted to give him a special color scheme that would capture that well. That's why we went with this shiny color that you don't see in the original version. Interviewer: I see. Thank you. The color makes such an impression, so I wanted to hear how it was achieved. Mr. Hattori: The paint used is metallic and reflects the colors around it, so it's almost like there are multiple colors in there, making it look even more expressive. Interviewer: Exactly! It looks like there are multiple colors. Also, I've been wanting to ask—and this doesn't apply to only this figure—but there's a certain process for choosing colors that will look the most faithful to fans of the anime, right? You don't just simply use the same colors as the anime. Mr. Hattori: Yeah, we don't just use the same colors from the reference materials. Unlike anime or manga, figures are three-dimensional, so we need to think about how to make parts pop. Otherwise, it would end up looking flat. Figuring out how to paint the figures is always a challenge, but it's incredibly important. Interviewer: The paint really changes the impression of a figure, doesn't it? It's an incredible part of the process. I'd love to ask more about the hair, but you've changed the color of other parts too, right? The revolver, for example. Mr. Hattori: There is a partly technical reason for that. Considering the overall tone of each figure, the same black didn’t work for both. Vash with the red coat has a reddish/brownish color scheme, whereas the other features a purplish/blueish black color scheme, so different shades of black are used for each. And while it is indeed the same revolver, the scene also affects the color we would see it in, which is also what it is adjusted to. Interviewer: It’s like you're coordinating all the colors to make sure the balance is right. That also seems like a pretty important part of the process. Mr. Hattori: Exactly. A reddish-brown revolver paired with this Vash would look strange, so we had to balance out the tones. Naturally, this is the same for the anime, so we went with basically the same color used in this part, too. Interviewer: I thought it looked different the first time I saw this version (of the figure), too. Even though it's the same revolver and only the color was changed. Mr. Hattori: Yeah. Different tones of black to go with different colors. Interviewer: Moving on from the paint, I wanted to ask about the process of lining up the aim of the gun and Vash's line of sight. I wondered if the change of the base had any effect on that. Mr. Hattori: This was a challenge not for me but rather for Hiramoto-san from the development team. As the figure needs to be assembled, lining up the gun with his line of sight was probably one of the hardest parts to work out. Interviewer: There are so many new parts of this figure that I feel like we can't simply call it a color variant. Mr. Hattori: We poured a lot of our latest techniques into this piece compared to the typical color variant, and ended up treating this product like it was a whole new one. Interviewer: Wow. Thank you! Next, I want to ask about the transparent parts. Can you tell us about this cube? Mr. Hattori: For the cube, the only new parts are the cube itself and the left hand holding it. The difficult part, aside the fact that they’re both newly sculpted, was figuring out a balanced shape of “a hand holding a cube.” You’d think it would be as easy as just placing the cube in a slightly closed hand, but we really had to be careful not to make it look off balance and awkward. Interviewer: It’s rather large, too. Mr. Hattori: It is! We went through a million itty bitty adjustments to keep the coolness running all the way down to his fingertips. There was also another part that was really tough. It's called insert molding. I wanted to make it look like there was a sphere within the cube, and again, it was Hiramoto-san who created a special sculpt for this part. ※The actual product does not light up. Interviewer: The cube is incredibly detailed, and I had a ton of fun looking at it from all sides. It also feels like its emanating energy, letting you know it's not just any ordinary cube. Was it hard to make? Mr. Hattori: Well, first of all, it looks three-dimensional in the anime. So we thought, how do we recreate that? Our first idea was to carve the design into the sides, but then that wouldn't have looked as pretty. It was really difficult to come up with the sculpt. Finally, after countless trial and error, we landed on what you see in the finished product. Interviewer: I thought it was awesome that the design gave the 3D cube its own distinct look different from the anime. Mr. Hattori: I would love for people to see it for themselves in person. As soon as the figure arrives, I want you to give the cube a good look and see how it was designed with your own eyes. Interviewer: I enjoyed all the details you can see when looking at it from different angles. Going back a little bit, could you tell us about the positioning of the fingers? I believe this applies to any medium, but I think fingers are one of the hardest things to get right. They might be just as hard as the face to make look good. Were there any parts you struggled with when designing the fingers, like how they grip the cube? Mr. Hattori: Yeah, like you said, the expression of the fingers can be just as important as the face, or more important for sculptors who are seriously picky about their work. I’m not sure which I spend more time on, myself. There are so many details of a hand to consider, like how the joints and knuckles should look, how the fingers bend, and the size of each part... Interviewer: Right, because for example, if the size is off, it would affect the balance of the whole thing. Mr. Hattori: They really are just as important as the face. Interviewer: Thank you. I imagined sculpting it to be difficult, but now I see how much thought you put into these details. So, we just talked about the transparent parts, but now, I'd like to ask about the coat. First, about the color. Earlier, we talked about how cool the coat looks in the anime, but I’m guessing it was hard to recreate that coolness in 3D. Can you tell us about what you may have struggled with when choosing the colors? Mr. Hattori: So, just because it's the “Gunman in Black” Vash, didn't mean we could simply make the coat black. Plain, pitch-black paint isn't really used that often. Interviewer: Is there a reason for that? Mr. Hattori: It’s because pitch-black paint only shows up as black. For this figure's coat, we create a black look using a purple base. Think of it as a purple that’s really close to black. Interviewer: I thought it was interesting how the coat almost looks as if it's moving. Of course it's not, but the color makes it look like that. Mr. Hattori: Right? We went with a color gradient that would make people feel like the coat was being blown backward. Interviewer: And you did an excellent job, because it really does feel like that! Sorry, I just really had to ask about the coat. Thank you.It's fascinating how you come up with ways to capture the same feel as the anime instead of simply using the colors seen on screen. Mr. Hattori: I guess it's all about how you stay faithful to the anime while still making it work as a figure. Question 5 Interviewer: I think the base plays a huge role in a figure. It feels a bit sad when the base is too simple. I thought this new base was awesome. The shape and font perfectly fit the series. Can you tell us a little about the inspiration behind this? The design reminds me of the original series. Mr. Hattori: For this base, we knew that we couldn't do a diorama-style design like we did with the Vash figure with the red coat because the final battle in the anime takes place in the air. So, we decided to go with something like what we did with the most recent Trigun figures for the movie TRIGUN Badlands Rumble. Which then kind of makes this figure a successor or sort as a lineup. We also did it to create a sense of cohesion with the previous Kotobukiya Trigun figures for fans who have so kindly collected them all. These would be reasons for why we went with this transparent acrylic base. Interviewer: Now that you mention it, I can see the connection. I personally love the “Trigun mood” of the base. Mr. Hattori: It's also sort of because the movie figures were the last Trigun ones we did, so it happened kind of naturally. Interviewer: The fact that our past projects are being referenced for the base design of a new figure is a cool detail to know. Mr. Hattori: For the actual design on the base, however, that was the work of our design team. I know it must have been tough, but I think they made it look super cool. I don't think I could have asked for anything better. Ikeda from our design team did a really good job. Interviewer: Even the base gives off a sense of motion, doesn't it? Mr. Hattori: Yeah, and it's not all just purple either. There are transparent spots and black areas, too. I think that's what makes the design fit with Trigun so well. Interviewer: Bases are like their own little worlds. Question 6 Interviewer: We spent a lot of time talking about the figure itself, but we can't forget that this ARTFX J Vash the Stampede -The Gunman in Black- TRIGUN STAMPEDE Ver. includes a figure of the author of the Trigun series, Nightow himself. I heard that this wasn't your first time making a mini figure of Yasuhiro Nightow, but what was your intension? It looks like you've included some elements from TRIGUN STAMPEDE, too, so please tell us a little about it. Mr. Hattori: Anyone who has read the manga is probably familiar with Yasuhiro Nightow's character. I'm sure they all love him as well. And so, since everyone seems to like the character so much, I absolutely had to make him into a figure. I knew it would be tough to bring to life, but I simply had to include Nightow. Interviewer: I, personally, love the mini figure. Mr. Hattori: Those who really know their stuff may already have guessed, but I actually took this version of Nightow from a picture I found on a staff introduction page on Studio Orange's website. I had no idea if we'd be allowed to use it or not. Interviewer: Wow, so you started off with "Hey, can we use this?" Mr. Hattori: Yeah, so for those wondering where we got this idea, we referenced a still illustration. Interviewer: I’m guessing the mini-figure's coat is based on TRIGUN STAMPEDE, as well? Mr. Hattori: I redesigned it a little as I was making it to what I thought was fit thinking, "If Nightow wore Vash's coat, it'd probably look like this." Interviewer: I also wanted to ask about the base. Are these letters? Is it a picture? Where did you get it from? Mr. Hattori: That's actually Nightow's signature. Not only that, but it's also based on a real signature we got from him. So, for anyone who's ever wanted his signature, now's your chance! You just need to pick up this figure. Interviewer: I also like that you included the coat's short sleeves, and even a little blue part from Vash's arm. The blue of the base is from STAMPEDE, too, right? You really went all out making sure everything was faithful to the series!! That's just amazing. AND it comes with the signature of the author himself. Mr. Hattori: I don't consider it an extra at all. He's his own fully fledged figure that can go alongside all your other figures. Interviewer: Definitely! I love it. Mr. Hattori: The figure's worth buying just for him. He's such an awesome figure that some people might consider this his set and Vash as the extra that just happened to come along. Interviewer: Seriously! They're both awesome figures. Question 7 Interviewer: This will be the final question. I can tell from our conversation that you have an undeniable passion for Trigun as a sculptor. I'm sure you were thrilled to hear there was a new series coming when TRIGUN STAMPEDE was announced, but did it also make you want to make a Trigun figure again? Mr. Hattori: When TRIGUN STAMPEDE was announced, I think everyone was happy but also a little nervous. No one was sure how the story would work as an anime now. But Studio Orange absolutely knocked it out of the park. The series was so amazing. Interviewer: Did you already start thinking up figures when you saw episode one? Mr. Hattori: Yes, I definitely did. But you know, the sculpt for ARTFX J Vash the Stampede TRIGUN STAMPEDE Ver. was done before the anime even aired. On the other hand, I was in a completely different place when making this new version because I had watched the whole series. I was really satisfied with the sculpt since I had enjoyed all the episodes and was able to include everything I wanted. Interviewer: I think it shows in the figure too. You can tell it's been made with love. Did you use only the reference materials from the studio when you made the first version? Mr. Hattori: Yeah, I made that version before we could see him move on screen. The new Vash was made after the series was released, so I was able to make him more faithful to the way I saw him in the anime. Closing Remarks Interviewer: Today, we discussed things like having passion for a piece of work and caring for minute details. I do believe these elements are important to sculptors, and to know what you want to express must be crucial for all artists. Continuing this topic, and since this is a Kotobukiya product, I wanted to point out that our company logo includes the word "craftsmanship." It's such an important aspect of the company that it's in the logo. Of course, this term means different things to different people, so I'm not going to ask you the stale, old question of "What does craftsmanship mean to you?" But I would love to know when this idea of "craftsmanship" speaks to you in your work process. Mr. Hattori: Craftsmanship isn't something I think about on a day-to-day basis, but the feeling never leaves me. That's not because I'm a sculptor either. I think everyone at this company shares a similar unsaid feeling of craftsmanship. It's something I think we all feel deep down inside. Sculptors can easily express their craftsmanship through figures (into something tangible), but I think even those in other jobs here have their own version of craftsmanship. And when our powers combine, it creates something amazing like this figure. Interviewer: These figures are born from craftsmanship... That's an interesting perspective, and I think you're right. It may be a little easier to see a sculptor’s craftsmanship, since it takes physical form, but it can be said that a figure is made from all different forms of craftsmanship put together. Mr. Hattori: No matter how good the sculpt is, we could never do it alone. Products—really good products—are the result of teamwork. We wouldn't be able to create something like this if it wasn't for everyone. It's hard to put into words, but I think everyone working on a project knows what I mean. Interviewer: True, it's quite hard to explain, but everyone plays their own role. That includes our wonderful photographer, Robert, here today for the interview. I know he feels the same way. Right, Robert? Thank you, Hattori-san, for your time today and giving us a peek behind the curtain. Also, thank you Robert for the photos! ※Left: Interviewer / Right: Tatsuya Hattori (Sculptor) ※ PROTOTYPES SHOWN, FINAL PRODUCT MAY VARY. ※Colors and composition may change based on photography conditions and your viewing environment. © 2023 Yasuhiro Nightow, SHONENGAHOSHA / TRIGUN STAMPEDE Project

2025.03.21

SNS

All Social Media

コトブキヤ宣伝

@kotobukiyas

プラモデル総合

@kotobukiya_p

フィギュアコンテンツ＠コトブキヤ

@kotobuki_figure

メガミデバイス公式/MEGAMI DEVICE official

@MEGAMIDEVICE

創彩少女庭園公式

@SOUSAI_official

アルカナディア情報局

@arcanadea_info

コトブキヤ公式Facebookページ

@kotobukiyaJapan

KOTOBUKIYA TV

@kotobukiyatv
Official Websites
Shop
KOTOBUKIYA SHOPS

立川本店 / 秋葉原館 / 日本橋-大阪 / オンラインショップの直営店情報

Authorized Retailers

全国各地のコトブキヤ製品取扱店

International Retailers

世界各地のコトブキヤ製品取扱店
News & Support
Latest News

All News

2025.12.03
Announcement and Apology Regarding Release Month Rescheduling for December 2025 Products

2025.11.28
Announcement and Apology Regarding Release Month Rescheduling for December 2025 Products

2025.11.21
Announcement and Apology Regarding Release Month Rescheduling for a December 2025 Product

Customer Support

Customer Support

Contact

Instruction Manuals

Supported Products

How to order plastic model parts

Contact

Correct use of batteries

FAQ

Counterfeit (Pirate) Information

Privacy policy

ONLINE
SHOP

Categories

Figures
Model Kits
Character Goods

PICKUP

Anna Yanami
MEGA MAN IRIS
XenoAlma Tidal Orketos
SAKAMOTO DAYS
White Sand Annette

Categories
KOTOBUKIYA Series
Series
Blogs
Social Media
Shop
News & Support

ONLINE SHOP [JP]
ONLINE SHOP [US]

Events
Promotions
Arrival Schedule (KOTOBUKIYA SHOP [JP])
Corporate Profile
Company Information [JP]

THE BIRTH OF KITARO: The Mystery of Ge Ge Ge

Categories

Product Series

Newest Arrivals
Release Month

2026.01

Kitaro’s Father & Baby Kitaro

Figures

Bonus Item

Details

TOP
All Series
THE BIRTH OF KITARO: The Mystery of Ge Ge Ge

Products

All Products
All Series
All Product Series

Shops

KOTOBUKIYA SHOPS (Directly Operated)
International Retailers

Blogs

All Blog Posts

Support

Customer Support
Supported Products
Contact
FAQ
Instruction Manuals

Corporate Information

Corporate Profile

Unauthorized copying and replication of the contents of this site, text and images are strictly prohibited.
Test product shown. Actual product may vary slightly.
Products shown on this website includes items that are no longer in production.

© KOTOBUKIYA

Privacy Policy
Cookie Policy

11.11 NEW Blogs